"The end is where we start from."

-T.S. Eliot, "Little Gidding"

Thursday, March 30, 2017

The Hobbit films

It's my duty as a Tolkien fan to completely disavow The Hobbit trilogy by New Line Cinemas, despite it containing several of my favorite performers.
It's my duty as a Tolkien fan to embrace the Rankin/Bass Production version of The Hobbit. Despite its many canonical inaccuracies, it much better captures the spirit of the book, and it has great songs.

Saturday, June 18, 2016

Our Beloved Bookstore

Our beloved bookstore and literary refuge will close its doors forever on June 25, 2016. Thank you, Snow Goose friends, for so many wonderful years of books, talks, but mostly, for friendship.

Remembering Ray Bradbury, August 22, 1920-June 5, 2012

Some people think of Ray Bradbury as a science fiction author, others as a writer of weird tales, and still others as a writer of nostalgia. None of these labels adequately categorizes a man whose work spans, or really, defies, genre labels. It's far better to say that Bradbury was interested in what and why people think and do, and that he explored these things through the use of his moral imagination applied to all sorts of plots, settings, characters, and themes. He distrusted human motives, believing, despite his lapsed Christianity, in something akin to Original Sin. This led him to be wary of technology and its uses. Yet, he loved people, and was filled with optimism. Anecdotes abound of the encouragement he gave to young writers, of the long hours spent talking to fans at book signings, of his enduring hope that people would choose to live as human beings. In this way, he stands firmly in the best tradition of Western literature, and, using radical styles and word combinations, moves fiction (and the English language) in new, dizzying directions.

 "Melville and I had the same midwives: the Bible, Shakespeare. Melville had poor eyesight. He couldn't read Shakespeare because the print was too small. Then he found a large-type edition, threw out his whaling equipment and wrote Moby Dick in a few months." -Ray Bradbury

Friday, September 25, 2015

A Frighteningly Brief Introduction to the Gothic in Fiction, Music, T.V., and Film

Jackson the Cat

"The Gothic tale, characterized by its setting and atmosphere--the former tending toward ill-storied mansions located in remote, rustic areas, the latter toward gloom and impending disaster--flourished for many years: from the age of Horace Walpole and Anne Radcliffe into the early twentieth century, when it died with Edith Wharton. The genre also typically featured an unlikely, melancholy hero who confronts a half-remembered legend concerning a dark presence who once terrorized the region in life and is still rumored to haunt the land in death, or an innocent who was tortured to death sometime in the distant past and who is said to still walk the land after nightfall."
-James Person 

From its awkward beginnings in the late 18th century with Horace Walpole's pseudo-medieval novel, The Castle of Otrantothe literary style known as "Gothic" has grown to become very popular. While there are pure Gothic stories, often elements of the Gothic exist in other styles of tales. While the Gothic style nearly died out in the twentieth century, it is now alive and well. Authors of Gothic tales, or authors who use Gothic elements in their works, include Nathaniel Hawthorne,Washington Irving, Shirley Jackson, Ray Bradbury, Russell Kirk, Mary Shelley, Jane Austen, the Brontë sisters, Robert Louis Stevenson, Victor Hugo, H.P. Lovecraft,Sheridan Le Fanu, Sir Walter Scott, Edith WhartonEdgar Allan PoeAmbrose Bierce, Ann Radcliffe, and Charles Dickens.
Modern and postmodern music, television, and movies are filled with Gothic creativity that draws directly and indirectly from Gothic literature. The Doors, The Cure, The Damned, and Alice Cooper are just four of a plethora of musical acts drawing on Gothic themes and styles. "The Twilight Zone" was, perhaps, America's first television experience of the Gothic, and it began a broader public fascination with the genre that has never waned, leading to such programs as "Alfred Hitchcock Presents," "The Addams Family,""The Munsters," "Dark Shadows," "Twin Peaks," "The X-Files," "The Ray Bradbury Theater," "American Gothic," "American Horror Story," "Supernatural," and "Hannibal," all of which, if not purely Gothic, are heavily imbued with Gothic elements, as is M. Night Shyamalan's recent series, "Wayward Pines." Also, Shyamalan's cinematic triumphs, "The Sixth Sense," and "Signs" are solidly Gothic films. Other marvelous Gothic films include Tod Browning's version of "Dracula," with the incomparable Bela Lugosi in the title role, James Whale's adaptation of Mary Shelley's "Frankenstein" starring the talented Boris Karloff, who never spoke a word in this talkie,Anglo-Catholic director Terence Fisher's tale of good triumphing over evil, "The Devil Rides Out," and Alejandro Amenábar’s purgatorial and complicated "The Others," where Nicole Kidman gives a solid lead performance supported by a brilliant cast. I would be remiss to close without mentioning that Gothic "living movie" which blends hyperreality, nostalgia, the comic, and the Gothic to terrorize and enchant: Disneyland's Haunted Mansion. In this dark ride, you actually participate in the movie as you ride through the Mansion on your "Doom Buggy." This ride is both symbol and enactment of the triumph of the Gothic in our culture.
-Jeffrey Dennis Pearce